. But do you think there will be one? The editor isn't looking for a cynical unpacking or a scathing expose, like Lloyd's used to writing; just 400 words that give a wee bit of insight to the man behind that (in Lloyd's words) "hokey kids' show." In actuality, A Beautiful Day in the Neighborhood's Vogel is journalist Tom Junod, who profiled Rogers for Esquire in his 1998 piece "Can You SayHero?" If we wanted to go into the house, we should have called first. He was in college. You know that they shot it with like the original cameras. Hero?" is about Mr. Rogers as much as it is . And here, as he made his way through thickets of bewildered workmenthis skinny old man dressed in a gray suit and a bow tie, with his hands on his hips and his arms akimbo, like a dance instructorthere was some kind of wiggly jazz in his legs, and he went flying all around the outside of the house, pointing at windows, saying there was the room where he learned to play the piano, and there was the room where he saw the pie fight on a primitive television, and there was the room where his beloved father dieduntil finally we reached the front door. The film is centered on a writer for Esquire, a men's magazine with an arch sensibility, who is assigned, against his will, to write a feature story on Mr. Rogers as part of an edition on American heroes. But then Esquire, for a special edition on "heroes," asks Lloyd to write a profile piece on Fred "Mister Rogers" Rogers. He said, "I would like you to do something for me. Oh, and Ill bet the two of you were together since he was a very young rabbit. Hearst Magazine Media, Inc. All Rights Reserved. They are boxers, egg-colored, and to rid himself of them he bends at the waist, and stands on one leg, and hops, and lifts one knee toward his chest and then the other and then Mister Rogers has no clothes on. And he had a relationship with a lot of people." The hard-hitting journalist reluctantly takes an assignment to write a profile story about the cherished TV icon for a special 1998 "Heroes" issue of Esquire . He didn't have an umbrella, and he couldn't find a taxi, either, so he ducked with a friend into the subway and got on one of the trains. When tasked with profiling the well-acclaimed Fred Rogers (Tom Hanks), Vogel is unwilling to do so as it is a change from his typical exposs. I mean, Fred wasnt just a reformer when it comes in terms of message. On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said, "I would like you to pray for me. Not his childhood, mind you, or even a childhoodno, just "childhood." Considering his popularity, those episodes cannot be that difficult to find. A Beautiful Day in the Neighborhood (opens Nov. 22) tells the story of one writer's experience profiling Fred Rogers . She weighed 280 pounds, and Mister Rogers weighed 143. But I mean, Fred and my dad could not have been more different. Yes, it should be easy being Mister Rogers, but when four o'clock rolls around, well, Mister Rogers is tired, and so he sneaks over to the piano and starts playing, with dexterous, pale fingers, the music that used to end a 1940s newsreel and that has now become the music he plays to signal to the cast and crew that a day's taping has wrapped. While the film does look at the burgeoning friendship between Rogers (Tom Hanks) and writer Lloyd Vogel (Matthew Rhys), it focuses primarily on Vogel's personal life and how much it has been impacted by this newfound friendship. He has spent thirty-one years imagining and reimagining those wallsthe walls that have both penned him in and set him free. Junod also appeared in the critically acclaimed documentary Won't You Be My Neighbor? Junod had hoped the changes would bring protection, as he wrote, "I had counted on the plots many departures from my life to insulate me from the emotional effect of seeing some version of myself up there." He clearly believed in prayer as a way of life. Lloyd has daddy issues, which Junod did not (at least not in the same way) something he outlines in a recent piece about Rogers for The Atlantic Monthly. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. ESQ: And then by Mister Rogers. In 1998, Rogers strikes a friendship with Lloyd Vogel, a self-absorbed, embittered journalist who is assigned to interview him for the magazine Esquire. I'm glad I know that. He finds me, of course, at Penn Station. cynical writer Lloyd Vogel (based on Junod, but with a fictional estranged dad figure, played by Chris Cooper, so that Rogers can . Its name was Old Rabbit. That temptation is really large because its so easy. It beautifully illustrates the story of the hard-edged investigative journalist - Lloyd Vogel - who believes everything in life has an ugly side. It's more about the impact of Mister Rogers on others, particularly a jaded and cynical journalist named Lloyd Vogel (Matthew Rhys) and how his interactions with the TV host chill his sometimes . Mr. Rogers (Tom Hanks), tells us the story of Lloyd Vogel (Matthew Rhys), who is a cynical reporter assigned to do a piece on Mr. Rogers. "Rephrase the idea, bearing in mind that preschoolers cannot yet . They're all in heaven.". "A Beautiful Day in the Neighborhood" is loosely based on the 1998 Esquire profile of the beloved TV host. Koko was much bigger than Mister Rogers. he asked. "Hmmm," Mister Rogers said, "that's a strange ad. I had always been a great prayer, a powerful one, but only fitfully, only out of guilt, only when fear and desperation drove me to itand it hit me, right then, with my eyes closed, that this was the moment Fred RogersMister Rogershad been leading me to from the moment he answered the door of his apartment in his bathrobe and asked me about Old Rabbit. He wears an undershirt, of course, but no mattersoon that's gone, too, as is the belt, as are the beige trousers, until his undershorts stand as the last impediment to his nakedness. He was a music major at a small school in Florida and planning to go to seminary upon graduation. This is a man who loves the simplifying force of definitions, and yet all he knows of grace is how he gets it; all he knows is that he gets it from God, through man. Photo: Courtesy of Sony Pictures. In the movie, Tom Junod's name is changed to Lloyd Vogel. Oh, Margy Whitmer tried to keep people away from him, tried to tell people that if they gave her their names and addresses, Mister Rogers would send them an autographed picture, but every time she turned around, there was Mister Rogers putting his arms around someone, or wiping the tears off someone's cheek, or passing around the picture of someone's child, or getting on his knees to talk to a child. We swung up to the fashion show venue, where I watched Junod practice his strut to untz-untz-untz beats and avoid a janky step at the start of the runway. I just wanted to let him know that he was strong on the inside, too. A minute ago we were stand-ins for children watching the show; now we seem to be somehow inside the brain of Lloyd Vogel (Matthew Rhys), a cynical Esquire reporter tasked with profiling Rogers for . He was born with cerebral palsy. And I think that audience is sort of self-selecting and limited by definition, almost. I didn't ask him for his prayers for him; I asked for me. The shootings took place in West Paducah, Kentucky, and when Mister Rogers heard about them, he said, "Oh, wouldn't the world be a different place if he had said, 'I'm going to do something really little tomorrow,'" and he decided to dedicate a week of the Neighborhood to the theme "Little and Big." Greek philosophy called for esquire magazine article about mr rogers? She worked very hard at writing the chapter, until one day she showed what she had written to Mister Rogers, who read it and crossed it all out and wrote a sentence addressed directly to the doctors who would be reading it: "You were a child once, too.". Here's what readers learned about Mister Rogers when the piece debuted. Once upon a time, a long time ago, a man took off his jacket and put on a sweater. "It's not a performance. Theres a moment in .css-umdwtv{-webkit-text-decoration:underline;text-decoration:underline;text-decoration-thickness:.0625rem;text-decoration-color:#FF3A30;text-underline-offset:0.25rem;color:inherit;-webkit-transition:background 0.4s;transition:background 0.4s;background:linear-gradient(#ffffff, #ffffff 50%, #d5dbe3 50%, #d5dbe3);-webkit-background-size:100% 200%;background-size:100% 200%;}.css-umdwtv:hover{color:#000000;text-decoration-color:border-link-body-hover;-webkit-background-position:100% 100%;background-position:100% 100%;}Can You Say Hero?Tom Junods Esquire profile on Fred Rogers, one of the all-time great magazine storieswhen the writer is searching for the childrens TV icon at the stuffed, panic-attack-palace of Penn Station. ", "Oh, please, sister," Mister Rogers says. He was with his producer, Margy Whitmer. The movie was so well done and like a lot of people, I had no idea what a loving man Fred Rogers was. "Thank you for calling, my dear," he said, in a voice whose . The cameras stop, and he says, "I don't like the word owner there. Last week, Junod was in New York to walk in a charity fashion show for his alma mater, SUNY Albany, so I tried to get a hold of him for an interview about his Esquire story and A Beautiful Day in the Neighborhood. Harpster and Fitzerman-Blue were joined onstage by Tom Junod, whose beautiful 1998 profile of Mr. Rogers for Esquire provided a main influence on the film. That was on fire, right? Yes, at seventy years old and 143 pounds, Mister Rogers still fights, and indeed, early this year, when television handed him its highest honor, he responded by telling televisiongently, of courseto just shut up for once, and television listened. I am ashamed to say it, but I was too cool at the time for Mr. Rogers. And, its definitely one of the reasons that changing the name to Lloyd Vogel worked, because I think that things sort of drift towards magical realism at that time. Maya Lin is a famous architect. As Joanne Rogers tells Lloyd Vogel in A Beautiful Day in the Neighborhood, he was loathe to hurt even animals. Lloyd Vogel (Matthew Rhys) is an award-winning writer for Esquire who is nonplussed and annoyed when his editor assigns him to write a profile on Fred Rogers , pastor and star of the hit children's series Mister Rogers' Neighborhood. This article was the basis for the plot of the film A Beautiful Day in the Neighborhood. The revolution he starteda half hour a day, five days a weekit wasn't enough, it didn't spread, and so, forced to fight his battles alone, Mister Rogers is losing, as we all are losing. Or do you take elements of what you see of the best men in your life, and try and put it together into one person? "Oh, heavens no, Tom! Tom Hanks channels Mister Rogers in a movie about how the legendary kids' TV host saves a magazine writer, and could maybe save all of us. For my father, everything that was important was visible to the eye. "Rephrase in a positive manner," as in It is good to play where it is safe. New Friends.". In the film, Junod is represented by the character Lloyd Vogel, played by Matthew Rhys. Tick, Tick . It takes one letter to say 'I' and four letters to say 'love' and three letters to say 'you.'. Rogers as a peasant to explaining the world to remove son. "Oh, Mister Rogers, would you please just hug me?" Who wrote the Esquire article about Mr Rogers? ", He was barely more than a boy himself when he learned what he would be fighting for, and fighting against, for the rest of his life. The ophthalmologists did not want to scare children, so they asked Mister Rogers for help, and Mister Rogers agreed to write a chapter for a book the ophthalmologists were putting togethera chapter about what other ophthalmologists could do to calm the children who came to their offices. This article was originally published in the November 1998 issue. 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