She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. God then planted a garden eastward in Eden (2:8), containing both the tree of life and the tree of knowledge of good and evil (2:9). Adam is tasked with keeping or maintaining the garden. God tells him he can freely eat of every tree in the garden, except for the tree of the knowledge of good and evil, for to eat of that tree would be to die. Was there a poem or group of poems it coalesced around?SMITH: Thank you. Bouncing balls, the kind that lifts nothing. Do you enjoy it? When capital is everything, queasy questions[1] bubble up: Is capitalism compatible with democracy? Not just me, not just people who are fresh out of whatever you do in the first years after graduate school into adulthood, thinking that Ill be happy if I can almost afford the things that I want, if I can somehow find a way to buy what life seems to offer to other people. It is what I instinctively turn to when the idea or statement-muscle stalls during the writing process (which is early-in). What made you decide to use collage rather than writing something inspired by the archives? Once, a bag of black beluga It was no longer important or necessary, and I wanted to just listen to these fragments within this founding document, and feel the sort of startled andI dont know, just a sense of inevitability that those statements kind of gathered around themselves. WebThe story Garden of Eden introduces the first man and woman that God created. WebThis is Tracy K. Smiths America, a lyric insurrection within Donald J. Trumps. Yet everyone lived with a sense of innocence and privacy. People are leading lives where they cannot afford rich and luxurious things and are ashamed of that, yet they also hold onto fear; they are afraid to let people see their actual status. This is so brilliant, this is such a clear idea. WebGarden of Eden What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow They are places to test out new lines of inquiry. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. Curtis Fox: Its one of the curiosities of your book, that to grapple with this dawning century you go back into history with poems in the voices of the enslaved and powerless, and you also make interesting use of the Declaration of Independence. For Smith, this is a lavish shop that seems to be selling a very specific selection of goods. It moves like a woman / Corralling her children onto a crowded bus. It is, implicitly, formed out of lives meshed into communities and societies; in place of capitalisms brutal sorting of human beings, Smith proposes another world. Comprehending, and perhaps steering, its history requires love amid the ruins.Unrest in Baton Rouge underscores this. Tracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). The first line introduces the readers to both the casual toneof the poem and draws them in to the discussion with which the poem is concerned, prompting them to read the next line in order to answer the question implicitly posed in the first. I think this is a poem thats about, okay, Im just past that, and look what I can almost afford. The analysis was to consist of identifying poetic devices and explaining how and why Tracy K. Smith used them. That distinction gets complicated once you open the booksbut I wonder if you do see these collections as particularly complementing or speaking to each other? Curtis Fox: And what about the desolate luxury? This poem is pretty upsetting and kinda relatable. Livid, the land, and ravaged, like a rageful, Would survive ushow little we had mended, Large and old awoke. Its been great. Petitions have been answered only by repeated injury. When she writes about love and desire, they are vehicles for the philosophical examination of humanity, of the ways we respond to authority, and more and more they are vehicles for thinking about the plight of the earth. And then I said well, why dont I just look at the Declaration of Independence and see what I can hear there? Anyone can read what you share. The same desolate luxury, Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. Poet Laureate of the United States; its a high perch for an American poet to land on. Did writing your memoir indeed open up new space for that? Not unlike your previous books, this one feels cohesive even as it encompasses poems whose forms and concerns vary. This seems like a really relatable poem; I can relate to you in that it's hard to be satisfied with our lives and that as we've gotten older it's become easier to accept that (knowing that it's ok in your words). In a recent podcast of her conversation with Curtis Fox of the Poetry Foundation, Tracy K. Smith says that being Poet Laureate is a kind of service (Off the Shelf, July 31, 2018). Poetry allows us to bridge our differences, to remind ourselves that we do have things to say to each other, that we are interested in each others lives and vulnerabilities. In this new collection, Smith explores, mourns and even celebrates those vulnerabilities, both national and individual. Like a lot. Tracy K. Smith: An erasure poem is almost like a You know you see those government documents that are redacted, so there are these big black lines that delete certain elements of the text, and youre left with a different path through those ideas. Reprinted by permission of Graywolf Press, www.graywolfpress.org. I think its because i'm not very artistic that it doesn't come so easy. Its a dire poem, tinged with hope, that out of the destruction of our century something new and fresh might reemerge. I think it has to do with the joy of losing oneself in something, which is what happens when a poem is really going somewhere. WebPoet, librettist, and translator Tracy K. Smith served two terms as Poet Laureate of the United States and is the Roger S. Berlind 52 Professor in the Humanities at Princeton University, where she also chairs the Lewis Center for the Arts. The author of four books of poems, she received the 2012 Pulitzer Prize in poetry. In a technique that feels like the opposite of erasure, I Will Tell You the Truth about This, I Will Tell You All about It accumulates voices from African Americans enlisted in the Civil War, and also from their families. In October, Graywolf Press will She earned a BA from Harvard University and an MFA in creative writing from Columbia University. Its current occupant is Tracy K. Smith, who was named Poet Laureate in 2017. sent hither swarms of Officers to harass our people K Smith. What happens to our relationships with others under these conditions which have resolved personal worth into exchange value, as Marx and Engels write in The Communist Manifesto? Thanks for listening. Can you explain exactly what that means in terms of what you did with the Declaration of Independence? I also think that over the years teaching has made me a better editor of my own work. And, for all their sagacity and poisetheir precise images and finely-crafted musicSmiths poems manage to be, too, surprising and audacious. 1 No. Even a simple poem like The Good Life grew large, for me at least,when the image of a woman journeying for water from a village without a well arrived. The store is called Garden Of Eden, so almost accidentally it aligns itself with those poems that are thinking back to those biblical stories. What a profound longing Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). I just feel that sometimes they strive more to be abstract rather than deliver a coherent message. My natural process is to try and distribute the weight of the poem across these mechanisms, but I get very excited when the poem has other plans for itself and leans more toward a rhythmic energy, or toward the rigid structure of rhyme or repetition. Tracy K. Smith discusses her new book and her tenure as current US poet laureate. Jesus also loved the foolish, the pushy, the stubborn, the fickle. I will say it flat-out: I do not like poetry. Weve come to, I dont know The things that felt so new are no longer new and maybe we feel a sense of their dark possibility, or at least I do. One of the closing lines is an eerie warning: its global. The worlds first great carbon empire, the United States, is committing suicide, but at least some people are getting richer.The books center is I Will Tell You the Truth About This, I Will Tell You All About It. This long poem, divided into sections based on different voices, consists of material Smith culled from the letters of black Civil War veterans and their wives, children, siblings, and widows, many of whom wrote to President Lincoln asking for financial assistance, in many cases pay that was owed them. I thought of to bear witness, as the book itself does, but I also thought to bear unspeakable suffering. A few years ago, actually several years ago now, I wrote a sonnet that I contributed to an anthology called Monticello in Mind, that was edited by Lisa Russ Spaar, and they were poems about Thomas Jefferson. Her latest book is Wade In The Water. An Old Story is born out of the wish to write a new myth. Smith assembles a collage of bad news, omitting punctuation to create a sense of anxious acceleration: dust vented from factory chimneys settled well-beyond the property lineentered the water tableconcentration in drinking water 3x international safety limitstudy of workers linked exposure with prostate cancerworth $1 billion in annual profit. to bear. Not only that, several poems were originally written for separate projects: museum exhibitions, an NPR broadcast, an academic conference. Everyone I knew was living As a subscriber, you have 10 gift articles to give each month. Do found texts youve worked with sometimes inform your subsequent writing? History is in a hurry, runs New Road Station. The last couplet, which read You are not the only one / Alive like that, lodged in my mind: even lacking any context for the words, I felt electrified by the truth they managed so simply to express, and by the sense of wise, intimate authority the second-person address carried. Price and value, Smith reminds us, are not the same thing.In a recent lecture published by the Washington Post, she calls poetry a radically re-humanizing force, one that comes closest to bringing us into visceral proximity with the lives and plights of others. She contrasts it with the market-driven language that divides everything into a brutal war of all against all and debilitates our minds: I also, more and more, recognize its value as a remedy to the various things that have bombarded our lines of sight and our thought space, and that tamper with our ability or even our desire to listen to that deeply rooted part of ourselves. K Smith. To say that shes very goodthat her poetry is not screwing aroundis to state what has become increasingly obvious over the past decade. For the Garden of Eden Her book,Life on Mars(2011), won the Pulitzer Prize for Poetry. Sort of the innocence of consumerism before bad things happen. Even if the question animating the poem is a serious one, that sense of being lost in the pursuit is, inevitably, a happy thingit is about finding something that can constitute a productive path through or out of the matter at hand. WASHINGTON SQUARE: In Ordinary Light you recall your first poem, written in grade school and titled Humor. These days much of your work deals with weighty topics, though youve said in other interviews that writing often feels joyful. Smith works like a novelist, curating the national tongue. Thats the emphasis in each of my workshops, though sometimes we use themes to determine the readings, or we look at a specific type of poemsay long poems or poem cyclesover the course of the term. Over her career, she has published a memoir and four books of poetry, including Life On Mars, which won the Pulitzer Prize several years ago. And I remember, I was sitting reading this document, and suddenly I got to the region where all of these complaints against England were being raised, and I felt that they were speaking so clearly to the history of black life in this country, and suddenly everything else that I was working on, that I thought I wanted to gather around the idea of Jefferson, just went away. and was pleasantly surprised to stumble upon Tracy. WASHINGTON SQUARE: Im also curious, hearing about how you created the found poemsare there any poets whose work has inspired or instructed you specifically in this domain of found/collaged poetry, or poetry that incorporates historical source documents?SMITH: I have taught CD Wrights One Big Self, in both the poetry and photography formats, to my students in the past. And maybe thats me speaking as someone in mid life, someone whos the parent of kids and has fears about the future. My thirties. Copyright 2018 by Tracy K. Smith. One quick way to define capitalism is to observe that it entails the dedication of all things, all human objects and ideas and actions, to profit, to the continual accumulation of wealth in private hands. Or how you can sometimes see the humor in your own dire or embarrassing situation, and how that can be both frustrating and something you file away under Things that Will Be Funny in the Future. For She didn'tKnow me, but I believed her,And a terrible new acheRolled over in my chest,Like in a room where the drapesHave been swept back. Life On Mars By Tracy K. Smith Analysis. Yes, these are black voices that have been effaced from history, buried in government archives and exhumed by a few scholars on whose work Smith draws. How do imaginative play and perhaps even humor figure in your process and your poetry right now? What are you really getting at there? In Garden of Eden, the first poem in the collection, Smith remembers shopping at a grocery store in Brooklyn that was actually called the Garden of Purchasing food, however, leaves the speaker anxious: It was Brooklyn. What do you try to impart as a teacher, and what, if anything, has teaching poetry taught you about writing it? Smith mingles these themes in The World is Your Beautiful Younger Sister, where the body of a woman stands in for the planet itself; Smith plays on old Western conceptions of nature as a female resource to be commanded by men and their technologies. This would be a democratic project: a writer who takes it on would have to imagine a community where individuals arent just monads bouncing around the economy but are instead subjects whose lives matter regardless of how much or little capital is attached to them. Heavy lifting, to be sure. Smith continues that it was Brooklyn and everyone she had known was living. Dang, you hear those birds? Curtis Fox: So thats the opening poem in your book, and as you said, its set in the early years of the century when the poet was more {innocence}, but there are hints that all is not well, and you write Everyone I knew was living / The same desolate luxury, / Each ashamed of the same things: / Innocence and privacy. What made you choose to start (and end?) But those things came out in this poem. 83 pp.Reviewed by Susanna Lang. Pessimism hobbles anyone who is paying attention. WASHINGTON SQUARE: Thats fascinating! I suppose those two choices speak to some of the overarching themes I consciously wanted the book to cleave to.WASHINGTON SQUARE: This last comment makes me wonder about your process assembling a book. Usually only after therapy The feeling that we arent content with how things are in our lives can resonate with everyone I am sure. Duende is a book that grapples with what it means to me to be an American. SMITH: Writing Ordinary Light helped me break my own silence about how race has shaped me. Several poems in Wade in the Water were written after translating poems of hers called In the Distance and Green Trees Greet the Rainstorm.WASHINGTON SQUARE: Section III of Wade in the Water ends with a Political Poem: a vision of workers cutting grass and communicating intermittently by raising their arms. But the poet respectfully appropriates them, placing each within her linguistic universe, where things like line breaks and image patterns matter, and as such the erasure is partly undone. Ive been sharing work by other American poets, and readings of my own poems as well, and just asking a very simple question, which is, what do you notice? A friend recently emailed it to me, even though I hadnt read the book yet. She's also the author of a memoir, Ordinary Light, which was a finalist for the National Book Award for Nonfiction. Tracy K. Smith, I hope your poem is a prophecy. Consider the everyday poetics of capitalism. To capacity. On making the appointment, Dr. Hayden said: It gives me great pleasure to appoint Tracy K. Smith, a poet of searching. The final poem, An Old Story, exposes our tendency to destroy our own world by reminding us of the Biblical storm that drowned all life except for Noah, his family, and the pairs of animals he saved on his ark: After the storm, it is song that changes the weather, tempts the animals to come down from the trees where they had shelteredin an ark made of wood but not by us. And before that, of course, there was the slave empire, a giant system for turning flesh into money. And its a way of bearing witness to what is otherwise unspeakable. And in this awful year, thats something worth giving thanks for. Educated at Harvard and Columbia, teaching at Princeton, named the US Poet Laureate in 2017, and already freighted with laurels (her previous book, Life on Mars, won the 2012 Pulitzer), Smith is no undiscovered talent. Under the intense weight of capital, this poisoned realism infects all other forms of discourse, connection, economy. Id squint into it and let it slam me in the face-- the known sun setting on the dawning century really stuck with me. I spent about 2 hours going through this list of poets trying to find someone that I could just. MyHeart hammers at the ceiling, telling my tongueTo turn it down. Perhaps stepping into that subject matter imparted a courageor simply a vocabulary and an awarenessthat hasnt vanished. I think the topic has also just come up much more frequently and relentlessly in the years since Trayvon Martins murder.WASHINGTON SQUARE: Another subject you grapple with in Ordinary Light is belief in God. I watch him smile at nobody, at our trafficStopped to accommodate his slow going. Tracy K. Smith: I have, and I didnt know if I would. WebMy maker says this poem reminds him of the little groceries and bodegas of his onetime New York neighborhood. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Throughout her career, she has been awarded numerous literary awards and fellowships. Over her career, she has published a memoir and four books of poetry, including Naomi Shihab Nye is the Young Peoples Poet Laureate of the Poetry Foundation in Chicago. You know, popular myths that we cleave to as Americans, and there are a lot of poems in this book that have titles that are biblical. In this book, Im doing that more relentlessly. But in other events, Ive gone into almost curated spaces, like rehab facilities or churches, or we have an upcoming trip that will take us to a retirement community. Brought on a different manner of weather. From short lyrics to erasures to sectioned, multi-form elegies, all of Smiths work feels radically alivetraversing space and time; rife with cultural and historical references (to, for example, rock music; scientific research; classic movie scenes); and always illuminating with great care the complexities of consciousness and embodiment. Born in Massachusetts and raised in northern California, Smith now lives in New Jersey, where she directs and teaches in Princeton University's Creative Writing Program. She lives with her husband in Chicago. Curtis Fox: I want to get you to read one more poem. Home the paper bags, doing taken Captive Take it easy. Id squint into it, or close my eyes / And let it slam me in the face / The known sun setting / On the dawning century. The Good Life with garden of eden tracy k smith analysis sense of innocence and privacy space for that,! The innocence of consumerism before bad things happen writing something inspired by the archives poisoned infects! 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